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Emperor Haile Selassie, who ruled Ethiopia from to , died in , but he lives on through the romantic lyrics of the late Jamaican reggae star Bob Marley and Ethiopian pop star, Tewedros Kassahun, better known as Teddy Afro.
For others, he is a god, yet others view him as a tyrant. Inspired by this ideology, Ethiopian kings and emperors have conquered lands and enslaved ethnic groups. In this sense, the Kebra Nagast can fairly be compared to the 19th century expansionist white American ideology of the Manifest Destiny.
Those who have solely learned about Selassie through the music of reggae stars and Teddy Afro may well have developed the impression that Selassie was a fatherly benevolent ruler and a champion of blacks. Clearly, even though the last Ethiopian monarch was overthrown in , undercurrents of the Kebra Negast still reverberate in the discourse of Ethiopian nationalism.
While the majority of the Ethiopian people do not subscribe to this belief system, some Ethiopians look for aspects of the Kebra Nagast narrative for Ethiopiawinet. Yet this mythology, or elements of it, creates huge divisions through its implicit expectation that Ethiopians accept this version of identity politics.
The settlement has never been big, with no more than a thousand Rastas at its peak and now about There was never a mass exodus of Rastas to Ethiopia, and they never assimilated. They live in isolation much like the Amish in the United States. Garvey exhibited no admiration for Selassie. It is preferable for the Abyssinian Negroes and the Negroes of the world to work for the restoration and freedom of the country without the assistance of Selassie, because at best he is but a slave master. The Negroes of the Western World whose forefathers suffered for three hundred years under the terrors of slavery ought to be able to appreciate what freedom means.