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Above is the cover of the July issue of Continental Film Review , a magazine produced by London based Eurap Publishing, which updated readers on the latest developments in European cinema. We have twenty-plus scans below, and other issues scattered here and there in places around the website. And when your movies are not of particular merit what better way to bring attention to them than with random nudity? Shedding clothing was a go-to gimmick for Cannes starlets back when the line between mainstream and erotic film was blurrier than today.
In the first photo Lindberg is on the patio of a Cannes bar, and from her perch atop a table she stripped off everything except her panties while dozens of photographer captured her likeness and bystanders gawped at the spectacle. You can see some of assembled press in the fuzzy reverse angle at right. A bit later, on the terrace of the Majestic Hotel where she was staying, her clothes hit the tiles again, as you see below. After having signed about a thousand invitations, which were given out to select people, I was lowered down from a rented helicopter to the pier topless.
There were hundreds of photographers. We find it amazing that so few photos of such an event seem to survive today. There must have been thousands of frames shot of that helicopter stunt. A few of our favorites are here , here , and here. This was painted by Jean Mascii, whose work we last saw several years ago when we talked about the thriller Plein soleil. He created a very interesting portrait of Humphrey Bogart for this effort. He filmed it while gravely ill, having been diagnosed with esophageal cancer, but did his work in legendary style, a true professional, working long hours, shooting retakes, and generally doing all he could to prevent his condition from affecting the production.
Bogart plays a struggling sports writer hired by shady fight promoter Rod Steiger to be the press agent for his new discoveryβa gigantic but glass-jawed carnival strongman from Argentina named Toro Moreno. Steiger wants Bogart to sell Toro as the next great heavyweight contender, but in order to do so they need to send him on a bum-of-the-month tour to knock out a series of hapless opponents paid to take dives.
After Toro has been built up in the press as the second coming of the heavyweight division, Steiger plans to make a bundle with a match against the champ, played by Max Baer. Bogart signs on for this ride because after all his work in the newspaper business he has nothing, and wants to finally make real money. Steiger would win an Academy Award in for In The Heat of the Night , and here, more than a decade earlier, you can see that achievement as almost inevitable as you watch him dominate the screen.